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Josef Herman
1911-2000

Josef Herman 1911-2000

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Open a larger version of the following image in a popup: Josef Herman, Refugees, c. 1941

Josef Herman 1911-2000

Refugees, c. 1941
gouache on paper
47 x 39.5 cm
framed: 60.7 x 53.2 x 3.3 cm
signed and titled on reverse of backing board: 'Refugees by Josef Herman'
2014-01
© Josef Herman estate
Photo: Ben Uri Collection

Further images

  • (View a larger image of thumbnail 1 ) Josef Herman, Figure Studies
  • Refugees
Refugees is a rare, important early painting, thought lost for over 60 years. Herman destroyed the majority of work from this period in 1948, considering it too influenced by Chagall....
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Refugees is a rare, important early painting, thought lost for over 60 years. Herman destroyed the majority of work from this period in 1948, considering it too influenced by Chagall. Blue was the dominant colour of Herman’s Glasgow years, used as a nostalgic evocation of a lost Warsaw with its moonlit spires. Like much of Herman’s Glasgow work, this painting draws strongly on his eastern European Jewish heritage and themes. However the refugees also represent the wider displacement of peoples uprooted and forced into exile by the upheavals of the Second World War. The family’s unknown fate is symbolized by the cat with a mouse dangling from its jaw, reminiscent of Picasso's Cat Catching a Bird (1939), expressing the helplessnes and anxiety of war. The treatment of the figures reflects Herman’s admiration for Käthe Kollwitz, while the fearful child with her hand in her mouth is reminiscent of Goya's Black paintings.

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Provenance

purchased with the kind assistance of the ACE/V&A Purchase Grant Fund and Art Fund 2014 via Conor Macklin of the Grosvenor Gallery

Exhibitions

1942 Exhibition of Paintings by Josef Herman, Aitken Dott & Son

2015 Out of Chaos – Ben Uri: 100 Years in London, Somerset House

2016 Unexpected: continuing narratives of identity and migration, Ben Uri Gallery

2016 100 for 100: Ben Uri Past, Present & Future, Christie's South Kensington

2017 Art Out of the Bloodlands: A Century of Polish Artists in Britain, Ben Uri Gallery

2017 Thirty-six Pounds and Ninety-five Pence: Artworks by Contemporary Migrant Artists, Ben Uri Gallery

2018 Exodus: masterworks from the Ben Uri Collection, Bushey Museum

2018 Acquisitions and Long-Term Loan Highlights Since 2001, Ben Uri Gallery

2018 Wild at Heart: Portrait and self-portrait in Poland after 1989, Zachęta – National Gallery of Art

2019 Brave New Visions: The Emigres Who Transformed the British Art World, Sothebys

2019 Art-exit: 1939 - A Very Different Europe, 12 Star Gallery

2019 Migrations: masterworks from the Ben Uri Collection, Gloucester Museum

2022 Refugees from National Socialism in Wales, Aberystwyth Arts Centre

2023 Art, Identity, Migration - Ben Uri at the London Art Fair, Business Design Centre

2023 Refugees from National Socialism in Wales: Learning from the Past for the Future, Senedd Cymru

2023 A Brush with Evil: Peter Howson's Holocaust Crowd Scene II, Ben Uri Gallery

2023 The Second World War on the Home Front (supporting A Brush with Evil II: Laura Knight at the Nuremberg Trial), Ben Uri Gallery

2023 Josef Herman: Artistiaid Ffoadur Cymru - Refugee Artists, Hay Castle

2024 The Decorative Fair, Evolution London

Literature

Rachel Dickson, ed., From Adler to Zuławski: A Century of Polish Artists in Britain (London: Ben Uri Research Unit, 2020), pp. 58-59, illus.;
Monica Bom-Duchen, ed., Insiders/Outsiders: Refugees from Nazi Europe and their Contribution to British Visual Culture (London: Lund Humphries, 2019), illus., (front cover);
Phyllis Lassner, The art of lamentation: Josef Herman’s humanist expressionism (Shofar Journal, Vol. 37, Issue no. 3, 2019), pp. 171-202;
Rachel Dickson and Sarah MacDougall, eds., Out of Chaos: Ben Uri; 100 Years in London (London: Ben Uri Gallery, 2015) pp. 94-95;
Rachel Dickson and Sarah MacDougall, eds., Ben Uri: 100 Years in London - Art, Identity, Migration (London: Ben Uri Gallery, 2015), p. 2, illus., (detail);
Sarah MacDougall, ed., Refiguring the 50s: Joan Eardley, Sheila Fell, Eva Frankfurther, Josef Herman, L S Lowry (London: Ben Uri, 2014), pp. 107-108, illus.
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