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Following the rise of Nazism and chaos of global warfare in the 1930s–40s, over 50 art dealers were driven out of Continental Europe to seek refuge in Britain. Settling in London, they fostered new ties within the existing British art world and joined an ever-growing artistic émigré network. Founding galleries that welcomed international art trends, their presence had a transformative effect on the often-considered insular British art scene of the 1930s. Over three decades they played a major role in transforming London into a world art capital to rival New York and Paris. This was celebrated in 1964 in an exhibition at the Whitworth Gallery, Manchester called Cosmopolis: The School of London, that claimed London as the heir to interwar Paris. This recognition was based on an art world made incrementally diverse and vibrant by immigration, and which inspired the present exhibition’s title.

Working in partnership with the Estate of Lancelot Ribeiro, the exhibition Heads – In and Out of Time, borrows its title from the artist’s own long-planned but unrealised idea for an exhibition, focusing on his preoccupation with portraiture and imagined heads in two of the most innovative decades of his practice, the 1960s and the 1990s.