• Deborah Dash Moore, Todd Endelman, and Zvi Gitelman, 'Crisis and Creativity Between World Wars, 1918-1939', The Posen Library of Jewish Culture and Civilization, Vol. 8 (New Haven: Yale University Press, 2020), p. 678
  • Joanna Cheetham, Hans Feibusch Between Germany and Britain: Patronage and the Public Sphere (London: University of London, 2015)
  • James Beechey, 'On and off the Wall: British Murals in the Twentieth Century', The Burlington Magazine, Vol. 155, No. 1323, 2013, pp. 408-413
  • Joanna Cheetham, A Forgotten Legacy: Iconoclasm and the Church Murals of Hans Feibusch (London: University of London, 2010)
  • Andrew Chandler, 'The Church, the Writer and the Artist in the Face of Dictatorship: Bishop Bell and His Allies in Britain during the Middle Twentieth Century', Kirchliche Zeitgeschichte, Vol. 20, No. 2, 2007, pp. 298-315
  • Jutta Vinzent, Identity and Image: Refugee Artists from Nazi Germany in Britain (1933-1945) (Kromsdorf/Weimar: VDG Verlag, 2006)
  • Jean Macrae, The Post-War Revival of Religious Art in the Church of England: the Contribution of Three Jewish Artists, M Phil thesis, London School of Economics and Political Science, 2006 (Vol. II with illustrations available at http://etheses.lse.ac.uk/1968/1/U232526.pdf)
  • Paul G. M. Foster, Feibusch Murals, Chichester and Beyond: an Exploration of Approach (Chichester: Chichester Institute of Higher Education, 1997)
  • Marcy Leavitt Bourne, 'Hans Feibusch. Chichester and Northampton', The Burlington Magazine, Vol. 138, No. 1114, 1996, pp. 46-47
  • David Coke, Hans Feibusch: The Heat of Vision (London: Lund Humphries, 1995)
  • Hans Feibusch, Mural Painting (London: A & C Black, 1946)
  • James C. Kennedy, Hans Feibusch: An Eightieth Birthday Exhibition of Recent Sculptures with a selection of earlier paintings and drawings (London: The Orangery, 1978)
  • `The Ban on Jewish Artists`, The Manchester Guardian, 17 June 1933, p. 11