• Brenda Martin, Dora Gordine Sculpture Collection (London: Bond and Coyne Associates Limited, 2005)
  • Brenda Martin & Penny Sparke, Women’s Places : Architecture and Design 1860-1960 (Routledge, 2003), pp. 119-138
  • David Falkner, Fiona Fisher & Jeanine Richards, ed., Dora: Dialogues on Women’s Creative Practice and Thinking (London, Dorich House Museum, 2017)
  • Jonathan Black & Fran Lloyd, Subtlety and Strength: The Drawings of Dora Gordine (London: Philip Wilson, 2009)
  • Jonathan Black, ‘Collecting connoisseurs and building to house a collection: The intriguing case of Dora Gordine (1895-1991)’, (Journal of the History of Collections, 21: 2, 2009), pp. 253–261
  • Jonathan Black & Brenda Martin, Dora Gordine: Sculptor, Artist, Designer (London, Philip Wilson Publishers, 2008)
  • Jonathan Black, ‘An Unsettling Aura of Inscrutability: Imperialism, Racial Stereotyping and the Construction of the ‘Exotic’ by British Women Sculptors between the Wars,’ Agency and Mediation: Women's Contributions to Visual Culture, 1918-1939, ed. by Dr. Karen Brown (London: Ashgate, 2008)
  • Meg Jensen & Jane Jordan, Life Writing: The Spirits of the Age and the State of the Art, (Cambridge Scholars Publishing, 2009), pp. 157-158
  • Sarah MacDougall & Rachel Dickson, Embracing the exotic: Jacob Epstein and Dora Gordine, (London: Ben Uri Gallery, 2006)
  • Sarah Victoria Turner, ‘Alive and Significant,’ ‘Aspects of Indian Art, Stella Kramrisch and Dora Gordine in South Kensington c. 1940’ (Wasafiri 27:2, Taylor and Francis, 2012), pp. 40-51.