Acid Browns
- Sarah MacDougall ed., Interstices - Discovering the Ben Uri Collection Guest Curated by René Gimpel (London: Ben Uri Gallery, 2020), pp. 36-37
- Peter Wakelin, Refuge and Renewal: Migration and British Art (Bristol: Sansom and Company, 2019)
- Finchleystrasse: German Artists in Exile in Great Britain and beyond 1933-45 (London: Ben Uri Gallery and Museum in association with the German Embassy London, 2018), p. 45
- James Charnley, ‘Into the Hangar’, in Creative License, from Leeds College of Art to Leeds Polytechnic (The Lutterworth Press, 2015), pp. 69-97
- Oil Paintings in Public Ownership in Camden (London: The Public Catalogue Foundation, 2013), p. 41
- David Manson, Willy Tirr (1915-1991): Figure in a Landscape (Milton Keynes: AuthorHouse UK, 2010)
- Walter Schwab and Julia Weiner eds., Jewish Artists: the Ben Uri Collection - Paintings, Drawings, Prints and Sculpture (London: Ben Uri Art Society in association with Lund Humphries Publishers Ltd, 1994), pp. 103, 152
- Peter Stone, ‘Willy Tirr's Forceful New Dimension’, Jewish Chronicle, 15 May 1970, p. 33 ‘Barry Fealdman writes’, Jewish Chronicle, 22 May 1992, p. 23
- Robert Clark, ’Willy Tirr’, The Guardian, 4 February 1988, p. 14
- Roy Slade and Willy Tirr, ‘Education in England and the Program at Leeds College’, Art Journal, Spring 1972, pp. 281-282
- Helen Kapp, ‘Willy Tirr’, The Guardian, 16 January 1969, p. 6
- Peter Stone, ‘Austere Abstracts’, Jewish Chronicle, 25 June 1965, p. 33
- M. G. McNay, ‘Bill Wilkinson Exhibition at the Abbot Hall Gallery’, The Guardian, 1 May 1965, p. 6
- ‘Modern Art in Yorkshire’, The Times, 13 May 1960, p. 18
