The Last Carriage
Forthcoming exhibition
In Common Silence, 2024
Analogue film, printe digitaly
A2
The Artist
This image responds to the death of Alexei Navalny, a figure who for many holders of Russian passportscame to symbolize the possibility of freedom, regardless of agreement with his personal...
This image responds to the death of Alexei Navalny, a figure who for many holders of Russian passportscame to symbolize the possibility of freedom, regardless of agreement with his personal political stance.His death in prison was experienced as a shock and a rupture, generating a shared sense of horror andpowerlessness. Across the world, people gathered to mourn, but also to recognize one another, tomomentarily see themselves reflected in others who oppose the political regime in Russia and feel unableto act directly. The act of gathering becomes both a farewell and a fragile form of visibility, a way to existtogether in grief when political agency feels unreachable.The photograph was intentionally shot on Washi film and push-processed, allowing the material qualitiesof the film to intervene in the image. Rather than producing a faithful copy of reality, the grain, instability,and density of the film transform the scene into a subjective photographic experience, one that carriesemotional distortion and uncertainty, mirroring the collective state of shock, grief, and powerlessness.
Be the first to know – Sign Up
Subscribe to our newsletter and be the first to know about everything new at Ben Uri, including the constantly evolving and expansive online content across our exhibitions, collection and research.
We value and respect your privacy. Your personal data will be kept private and processed securely, according to our Privacy Policy. If you change your mind anytime, you can unsubscribe directly when receiving a mail from us (the link will be at the bottom of the email) or contact us.
* denotes required fields
This website uses cookies to improve your experience. If you are not happy with this, you can opt-out below.

