Once again, an inspired figure rather than a specific portrait allows Panchal to comment on one of the most powerful issues of our time. As the Syrian crisis occupied our mass media with such terrible regularity from 2011 onwards, Panchal was reminded of a lone figure he had glimpsed, begging on the underground, the geometry of his composition recalling the anonymous architectural spaces of the tube network, criss-crossed with tunnels and passages, ticket halls and escalators.
Be the first to know – Sign Up
Subscribe to our newsletter and be the first to know about everything new at Ben Uri, including the constantly evolving and expansive online content across our exhibitions, collection and research.
We value and respect your privacy. Your personal data will be kept private and processed securely, according to our Privacy Policy. If you change your mind anytime, you can unsubscribe directly when receiving a mail from us (the link will be at the bottom of the email) or contact us.
* denotes required fields
This website uses cookies to improve your experience. If you are not happy with this, you can opt-out below.