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Exodus & Exile
Migration themes in Biblical images

Exodus & Exile: Migration themes in Biblical images

Forthcoming exhibition
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Open a larger version of the following image in a popup: Albrecht Dürer, Christ Taking Leave of His Mother, 1511

Christ Taking Leave of His Mother

Artist Albrecht Dürer

Accession number 1990-2


With this print, the 40-year-old Albrecht Dürer may be looking back to his 19-year-old self, leaving home for the first time to embark on a four-year Wanderjahre, travelling throughout Germany and probably visiting Switzerland and the Netherlands. On this journey he paints what is now considered to be the first definitive self-portrait in the history of Western art. Upon his return to Nuremberg he marries, opens his own workshop, and, in 1498, becomes the first known artist to plan, create, and publish his own book.


In 1511, he creates the series of woodcuts of ‘The Life of the Virgin’ which includes this image of ‘Christ Taking Leave of His Mother’. The 30-year-old Christ is taking leaving of his mother to begin his itinerant ministry around Galilee. He is resolutely taking his first step away from her, she is on her knees either pleading with him or praying for him. When Mary presented her son at the Temple in Jerusalem, she was warned that a sword would pierce her heart as a result of her son’s actions and her anguish here at his leaving may be in keeping with that prophecy.


This image takes on a degree of universality when we reflect on all those siblings who have left home and family in order to find work and an income to support those who remain at home. The leave-taking involved, as in Dürer’s image, is in the knowledge that the child may not return home again.

Photo: Ben Uri Gallery and Museum
Dürer's first visit to Italy in 1494 largely influenced his subsequent compositions and repertoire. A prime example of this delicate, Italianate handling of the woodcut medium is the Life of...
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Dürer's first visit to Italy in 1494 largely influenced his subsequent compositions and repertoire. A prime example of this delicate, Italianate handling of the woodcut medium is the Life of the Virgin series, which he started in 1502. This print, probably created after Dürer's second journey to Veneto, Italy in 1507, depicts Christ's heartfelt parting from his mother, Mary, a popular subject in Christian art. It formed the 16th of 19 leaves which were sold separately before the completion of the series in 1511. The scene illustrates the moment of Christ leaving his parents' house to preach in Jerusalem (possibly the walled city seen in the background). As he bids farewell to his mother he blesses her, knowing he is about to embark upon his final journey, which will lead to his Passion and death. Mary's sorrow is emphasised by the dynamic handling of her robe and her dramatic posture as she falls on her knees, hands clasped in grief, to which the upright figure of the resolute Christ provides a counterpoint.
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Provenance

Bequest by Stephanie Ellen Kohn in memory of her parents Franz and Margarethe Kohn (nee Schotlander) and her brother Ludwig who perished in the Holocaust.
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