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Exodus & Exile
Migration themes in Biblical images

Exodus & Exile: Migration themes in Biblical images

Forthcoming exhibition
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Open a larger version of the following image in a popup: Isaac Lichtenstein, Head of a Yemenite Woman, Ruth II, 1921

Head of a Yemenite Woman, Ruth II

Artist Isaac Lichtenstein

Accession number 1987-222


The title of this work tells us that Isaac Lichtenstein chose a Yemenite woman as his model for the biblical Ruth; probably as a woman whose Eastern origin and traditional garb closely approximated his ideal of what the biblical Ruth would have looked like. Her elegant, elongated and abstracted features recall the work of Modigliani, a fellow member with Lichtenstein in the School of Paris. 


While showing poise and presence, Lichtenstein’s Ruth also looks perceptively and quizzically around her, aware of the nuances of the Judean cultural norms she is learning and practising. In her arms she holds a generous bouquet of wheat and barley which she has gleaned from the fields of Boaz, her kinsman through Naomi, who will shortly marry her, enabling her to fully integrate into Judean society and be assured of stability and prosperity in her new home. 


Lichtenstein shows us a migrant on the cusp of full assimilation, in whom the potential of the person who is shortly to be welcomed and accepted is already seen and recognised.

© Isaac Lichtenstein estate
Photo: Ben Uri Gallery and Museum
This painting depicts a scene from The Book of Ruth in the bible. This relates that Ruth and Orpah, two women of Moab, had married the two sons of Elimelech...
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This painting depicts a scene from The Book of Ruth in the bible. This relates that Ruth and Orpah, two women of Moab, had married the two sons of Elimelech and Naomi, Judeans who had settled in Moab to escape a famine in Judah. After the death of Elimelech, and then the husbands of both younger women, Naomi plans to return to her native Bethlehem and urges her daughters-in-law to return to their families and re-marry. Orpah reluctantly departs but Ruth begs to stay with Naomi and share her fate. They travel to Bethlehem and Ruth looks after Naomi by collecting the gleanings of the field belonging to a wealthy landowner named Boaz, whom she eventually marries, becoming great-grandmother to King David. Lichtenstein depicts Ruth gathering sheaves of wheat and barley in the field.
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Provenance

purchased 1925

Literature

Walter Schwabe and Julia Weiner, eds., Jewish Artists: the Ben Uri Collection - Paintings, Drawings, Prints and Sculpture (London: Ben Uri Art Society in association with Lund Humphries Publishers Ltd, 1994), p. 69.
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